Ray Mann, The Ray Mann Three

Ray Mann leads a trio of soulful funketeers in Sydney. Previously, he played guitar in the band Kid Confucius.

Do you come from a musical family?

RAY MANN: My parents are not particularly musical. Well, they’re not really musical, but they definitely introduced us to a lot of music growing up. I think my mum’s father was a bit of a renaissance man. He died when she was very young, but apparently he was a poet and a violinist and a whole bunch of other things and apparently that’s where our parents and aunties and uncles can trace that, back to him, this artistic inclination in me and my cousin Andy who’s in Kid Confucius. In our house at least most of the music that we were hearing, my dad would only ever listen to an Egyptian singer called Ummm Kulthum ’cause we’re Egyptian. She was like the Elvis of Egypt back when he was growing up. Mum mainly listened to Elvis, you know, who is the Elvis of the rest of the world. Between them they definitely put a lot of things in front of me. Everything from Michael Jackson to Simon & Garfunkel to whatever, you know? So most of that stuff came from listening. I decided to pick up a guitar based on everything they were putting me onto rather than them encouraging me to go and learn to create music.

When you picked up the guitar did you want to be the Elvis of Australia?

RM: I think at the time I wanted to be Ritchie Valens from La Bamba.

Switch, Major Lazer

Switch, a.k.a. Dave Taylor, is half of the DJ/production team behind Major Lazer, a dancehall cartoon superhero who is ready to battle the Gorillaz and impregnate Josie & The Pussycats. Just listen to the dang song already.



SWITCH: No, not at all, not at all. My family are more sort of sport-orientated. I don’t know where the music came from in me. I’m not musical at all either, really. I can’t play any instruments. I can’t sing. God knows where it came from in my end, but definitely not my family.

Do your family listen to your music?

SWITCH: It’s taken them a few years, but they’ve finally started to get it. I think.

Manuel Sharrad, Infusion

Manuel Sharrad is one-third of Melbourne dance trio Infusion, famous for their loose and unstructured live shows.

MANUEL SHARRAD: I certainly did. My mum was a primary school music teacher at the time and my dad, you know, he was just musical as well. He doesn’t really work in the music industry at all, he’s just an English professor [laughs], but he could play the guitar and liked to sing around a bit. They definitely had a bit of a record collection on them, so it is a quite musical family. I was thrown into the deep end to learn piano and various other stuff as a young kid so definitely a lot of musical theory and general knowledge of it was put in me at a very young age.

So that big record collection of your parents’, what kind of music were they into?

MS: Well, they were old folkies so there was a lot of early ’70s, very embarrasing early ’70s bands, but y’know a lot of good stuff as well. Everyone I’m sure had Beatles and Simon & Garfunkel and things like that to feed off. They also had some random Abba singles and some very strange electronic albums as well, which were quite influential for me. Like Everything You Always Wanted To Hear On The Moog But Were Afraid To Ask, which was one of those very late ’60s attempts to do classical music on a synth, like purely on synth, and it’s fascinating. And I don’t think it’s ever been released on CD so it’s very hard to find.

E, Eels

Mark Everett, a.k.a. E, is the man behind the Eels. If you know his music you know that his family has influenced him strongly by their absence, with albums like Electro-Shock Blues dealing frankly with his sister's suicide and his mother's death from cancer. Here's a song from that album with a cheerful video.



E: It wasn’t that musical a family. My mom sang in church and there was always music being played in the house, but the biggest musical influence on me was just the records that my sister was playing. My older sister used to play a lot of records and that’s what had an effect on me.

Did her tastes have a big influence on you? Do you listen to similar stuff?

E: Yeah, she was listening to really great stuff. Neil Young, the Beatles, Bob Dylan, all that. A lot of good influences.

One more quick question. I love it whenever you howl in a song; where does that come from?

E: I’ve always been a bit of a screamer. It pops up occasionally over the years. It’s something I’ve always been interested in. I remember being a teenager and listening to Sly Stone records in my car and I would roll up the windows, ‘I’ve got to learn how to scream like that,’ and I would roll up the windows while I was in a traffic jam and start screaming along. If you do that long enough you start get better apparently.

Tom Waits is a great howler too.

E: He is a fantastic howler. He recently complimented me on my howling, which was the greatest compliment ever because he is the master howler.

Purple Duck

Purple Duck is hard to describe. He raps and he sings singularly filthy songs and he produces skits about the Sex Falcon. Then he records a touching number called When A Woman Cries. He is a mystery wrapped in a mallard.

PURPLE DUCK: My dad and his friends used to gather around and sing filthy songs on the piano. Mum would send me upstairs, but I’d still be able to listen.

Was your dad a professional piano player?

PD: Dad was an opera singer, but he’s not any more. He still sings opera, but only on the toilet now. He can do the whole of La Traviata, it’s pretty good.

He must spend a long time on the toilet.

PD: You can tell because he’ll be, ‘Figaro figaro ... urrr!’

Suffa, Hilltop Hoods

Suffa provides half of the MCing and most of the production for Adelaide's Hilltop Hoods. His mum's only musical advice has apparently been, "You should not swear."

SUFFA: My brother’s a bass player and he was in a punk band called Capo F. Other brother’s a guitarist, the one that plays on the album. He was in a couple of bands, one of ’em was called the Undecided. My mum’s a music teacher, she teaches eurhythmics to little kids, which is music and movement. And my dad’s a massive record collector. He’s got a couple of thousand blues and jazz CDs and vinyl. So yeah, really musical family.

Has that been helpful then having especially your dad’s collection to dig through?

S: Yeah, that was super helpful. I mean The Calling, our third record, was made nearly solely off my dad’s record collection ’cause I couldn’t afford breaks. I mean it’s also helpful when you’re a kid and you’re growing up and from one room one of your brothers is listening to Bad Brains and Bob Marley and whatever and another brother’s listening to Cure and Siouxsie & The Banshees and your dad’s upstairs listening to, I dunno, blues, jazz, Miles Davis, Dizzy Gillespie and that sort of thing and your mum’s teaching music and movement. You get everything and you sort of mish-mosh it into your taste, I guess. Especially from a producer’s point of view, who samples, I think that’s a really good place to come from.

Urthboy

Urthboy is both a solo MC and a member of The Herd. I spoke to him today, but asked THE QUESTION the previous time I interviewed him two years ago. This song is new, though.

URTHBOY: My dad was a big jazz fan, but I always used to think that was pretty daggy. He’d walk around the house scatting and stuff. My brother was a big influence, we shared a room and he was bigger than me so he was boss of the stereo. Whatever he wanted to listen to I had to listen to. He played Leonard Cohen till I liked it.