Tomek Archer, Van She

Van She are a dancey electropop band with a strong ’80s influence and the synth turned way up high.

Do you come from a musical family?

TOMEK ARCHER: Yeah, I guess so, but in kind of a different way to some people. My parents didn’t have any pop records or anything like that at all. Mum listened to a lot of jazz and both parents played a bit of piano, but it was just like, you know, tinkering and classical stuff. So it wasn’t like I grew up listening to Dark Side Of The Moon or other kind of seminal ’70s records like a lot of other people did. I kind of grew up listening to the radio. I got pushed into playing music when I was really young and sent to piano lessons since I was four and that kind of stuff. I dunno. I didn’t really get guided into following their taste in music, put it that way.

Do your parents listen to your music a lot?

TA: I doubt it [laughs]. I don’t know. They’ve got the record. I don’t know, they never mention it really. They’re always interested to hear what we’re doing, but I don’t know.

Manuel Sharrad, Infusion

Manuel Sharrad is one-third of Melbourne dance trio Infusion, famous for their loose and unstructured live shows.

MANUEL SHARRAD: I certainly did. My mum was a primary school music teacher at the time and my dad, you know, he was just musical as well. He doesn’t really work in the music industry at all, he’s just an English professor [laughs], but he could play the guitar and liked to sing around a bit. They definitely had a bit of a record collection on them, so it is a quite musical family. I was thrown into the deep end to learn piano and various other stuff as a young kid so definitely a lot of musical theory and general knowledge of it was put in me at a very young age.

So that big record collection of your parents’, what kind of music were they into?

MS: Well, they were old folkies so there was a lot of early ’70s, very embarrasing early ’70s bands, but y’know a lot of good stuff as well. Everyone I’m sure had Beatles and Simon & Garfunkel and things like that to feed off. They also had some random Abba singles and some very strange electronic albums as well, which were quite influential for me. Like Everything You Always Wanted To Hear On The Moog But Were Afraid To Ask, which was one of those very late ’60s attempts to do classical music on a synth, like purely on synth, and it’s fascinating. And I don’t think it’s ever been released on CD so it’s very hard to find.